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IPhone 12 Pro camera reviews: the most advanced camera on the market, but worth the wait for the iPhone 12 Pro Max
21.10.2021 [13:42],
Konstantin Khodakovsky

Yesterday, a number of reviewers shared their first impressions of the new iPhone 12 and iPhone 12 Pro from Apple. We have already given some conclusions on autonomy when working in 5G networks and performance, and now we will touch on the camera.

The changes in the iPhone 12 compared to the iPhone 11 are not too big in terms of the camera. Key innovation is the ability to shoot in «Night mode» with both the main wide-angle and ultra-wide-angle cameras. The main camera began to capture 27% more light, including due to a faster lens (f / 1.6 aperture) and received 100% coverage of the matrix with autofocus sensors. The rest of the benefits come from advanced computational photography.

Noticeably more interesting is the iPhone 12 Pro. The camera configuration in this device remains the same compared to the iPhone 11 Pro. These are three 12-megapixel modules: wide-angle (26 mm in 35 mm equivalent, OIS), ultra-wide-angle (13 mm) and telephoto module (52 mm, OIS). The main camera has been improved, as in the iPhone 12, but the key innovations are the integration of the lidar and new software features. This includes the ability to shoot photos in the advanced Apple ProRAW format in addition to the usual HEIF and JPEG, as well as support for 10-bit HDR video in the Dolby Vision standard at up to 60 fps.

The verge

Overall, the consensus is that while the iPhone 12 Pro does expectedly good results in photography, the iPhone 12 Pro Max should offer even more with its advanced camera features. In this smartphone, the main camera received a 47% larger sensor, so the sensitivity is increased even more. It also has better sensor shift stabilization, which can perform up to 5000 corrections per second — this promises sharper images in low light compared to stabilization in the lens. Also, the iPhone 12 Pro Max uses a different telephoto module — it offers 2.5x optical zoom, but at a slightly lower aperture (f / 2.2). Therefore, those who want to get the most, it is better to wait for the iPhone 12 Pro Max, if potential buyers are not confused by the extra weight and slightly higher cost.

The verge

Austin Mann laid out his thoughts on the photographic capabilities of the iPhone 12 Pro in his highly detailed review. He tested wide-angle shooting, night mode and a lot of other settings, but in general he noted the absence of fundamental innovations that would make iPhone 11 Pro owners think about a new device for the sake of photography: “The iPhone 12 Pro is a reliable camera, and thanks to a lot of new digital technologies I discovered that it’s slightly better than the already excellent iPhone 11 Pro, but if you’re serious about photography on your iPhone, wait for the iPhone 12 Pro Max. This appears to be the most significant leap in iPhone cameras we’ve seen in years, and it’s only three weeks away. «.

The Verge also did a great review of the iPhone 12 Pro camera. According to Nilay Patel, the iPhone 11 Pro has had the best camera in a smartphone before, but the iPhone 12 Pro has improved it, although this is just a small step forward: enough to stay in the lead, but most of the improvements are minor. and belong to the software area.

He noted that in a lack of lighting the camera performs a little better, noise reduction works more efficiently, the new Apple Smart HDR 3 mode seems a little smarter, the pictures look more contrast. All four cameras have learned to work in night mode, which is nice, but most useful on the front camera for night self-portraits. “Although telephoto or ultra-wide angle cameras now support night mode, I would go with the main camera — it is more light sensitive and does better in low light,” he said. — There are other small but noticeable photo improvements over the 11 Pro, with the ultra-wide lens slightly less distorting around the edges, while the ultra-wide and telephoto photos are slightly sharper and more detailed. There are also some new settings: you can turn off lens correction, you can turn off Smart HDR and Intelligent Scene Detection. It’s nice to see Apple take advantage of the advanced camera features, but I would leave it as standard; — if you don’t like automatic modes, just use an app with good manual controls, such as Halide «.

The verge

The journalist also noted the presence of a lidar in 12 Pro similar to iPad Pro — first of all, it makes augmented reality much better. This sensor is also used in regular photography, allowing the camera to focus much faster (6x in low light, according to Apple). Focus was really fast in testing, and the iPhone 12 Pro low-light photos look sharper than the iPhone 11 Pro, but mainly due to the fast lens. But the biggest plus lidar gives when shooting self-portraits at night with the main camera — they are impressive. But if the user is not interested in tricks with AR or night portraits, while the lidar is of little use.

Another major innovation in the iPhone 12 family camera is the ability to record Dolby Vision HDR video. While there are some compatibility problems with this standard: suffice it to say, even Mac cannot watch it by the standard (you need to wait for the release of macOS 11 Big Sur). In general, about the video Becca Farsace of The Verge said the following:

“When shooting video on the iPhone 12 Pro over the course of several days, I noticed three things: higher levels of detail, brighter footage at night, and glare. iPhone 12 Pro can shoot up to 4K at 60fps and 1080p at 240fps, just like the 11 Pro. I was impressed by the video capabilities of the iPhone 11 Pro last year, and nothing has changed in the iPhone 12 Pro…, it’s actually hard to tell the difference between footage captured on iPhone 11 and 12.

In ideal lighting conditions, the video is beautiful. Colors are sharp, details are crisp, and the smartphone handles skin tones well. Shot 12 is a little warmer during the day, but unless you specifically try to find the difference between these cameras, you can’t see it. At night, the 12 Pro is slightly brighter overall and has good noise reduction in dark areas. The main sensor is by far the brightest, and when you switch to ultra wide, things get a little darker. But more worrisome is that when shooting at night and using the main sensor, small dots remain throughout the frame! Any light that shines directly into the lens, such as car headlights, casts a lot of glare on the image, which is annoying. This was a problem with the iPhone 11 Pro, and it hasn’t gone away.

But overall, this camera system is still great, and when played back on a device that supports Dolby Vision video files, it looks incredibly colorful and energetic. This is the main difference between video on the 11 Pro and 12 Pro: the new one shoots in Dolby Vision. I’m very excited to try out the 12 Pro Max with a larger sensor and new image stabilization system. «.

The verge

Photographer and former Adobe Creative Resident Andre Larrow shares his thoughts on the new iPhone 12 Pro camera system on PetaPixel. Moving away from the usual type of images, he decided to focus on portraits of friends and acquaintances with whom he was in quarantine in order to minimize any health risks in the open air. He noted that the camera copes better with processing light tones, but in general, the changes cannot be called fundamental.

Input’s Raymond Wong is more careless about analyzing camera technology in iPhone 12 Pro. Despite his generally relaxed approach, he compared the new iPhone 12 Pro with the iPhone 12, iPhone 11 Pro and Pixel 5 in a variety of scenes in a variety of shots and made clear comparisons. According to him, even the iPhone 11 Pro had the best camera system among smartphones, although many manufacturers offered improved zoom or faster sensors — the iPhone 12 Pro took another small step forward. By the way, according to the journalist, the basic smartphone iPhone 12 in terms of photo capabilities is not inferior to its older brother.

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